Bells Between Barga
A poem that reflects on cross-cultural love using soft, impressionist imagery and intentional symbols across nations. Partly inspired by Giovanni Pascoli’s L’ora Di Barga. Continue reading Bells Between Barga
A poem that reflects on cross-cultural love using soft, impressionist imagery and intentional symbols across nations. Partly inspired by Giovanni Pascoli’s L’ora Di Barga. Continue reading Bells Between Barga
Ailsa Gillies reflects on the mother-child bond through the eyes of a bird after visiting the Ufizzi Gallery in Florence. The Bird of Madonna is a soft reflection on how a mother’s devotion can become self-sacrificial, until the child learns to tend its own wounds. Continue reading The Bird of Madonna
Is it better to be good or honest? Ailsa Gillies reflects on the lineage of ‘good’ people that have come before her, noting that self-sacrifice is not romantic, but a quiet stirring of resentment and grief. Continue reading Inherited Goods
Big Feelings in a small world. This poem comes from the healing found from internal reconciliation, not from the repentance of those who hurt you. Continue reading Big Feelings
A poetic follow-on from Prodigal Son, a dialogue with a shedding persona, Ailsa Gillies makes an empowered declaration of what it means to embody the Self. Continue reading Crystallised Self
Going from “if only” to “I am”, this poem moves from frustration and separation to reunion and liberation with the body. Ailsa Gillies celebrates her body for its wisdom during a small bout of illness. Continue reading Every Body Knows
A poem born in the midst of Storm Amy, Ailsa Gillies speaks to the maiden, the mother and the crone. An ode to the grieving, evolving and forgotten women. Continue reading Woman, you are
No one talks about that silent space during transformation. Where you’re ready for your new life, but not quite done with your old one. This poem captures exactly that – vulnerable, desperate…and ready. Continue reading A Plea in the Passing of Time
A lament for all those who were ever told they were ‘too soft’, ‘too sensitive’ or told to ‘toughen up’.
Ailsa Gillies uses the extended metaphor of a lamb to symbolise the predatory behaviour of the corporate world that exploit and shame vulnerabilities and kindness. Continue reading The Lamb’s Lament
Everything in life – time, love, possessions, and experiences – are something borrowed. Ailsa Gillies explores the fleeting nature of life and the illusion of ownership. Continue reading Something Borrowed